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Nuno Bernardo, Managing Director, beActive Entertainment, Portugal Established business and financing models are falling apart because the revenues generated by the exploitation of content on digital platforms are not generating scream matchmaking pennies to substitute the analogue dollars. Sean is a writer of film and television drama, a novelist, and an award-winning writer and producer of cross-platform drama and reality series.

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He will run through numerous examples of interactive projects that adopt different approaches to audience engagement in order to convince you that way to attract and satisfy audiences is to allow them direct agency and interaction with the content that you create. He is also Head of Studies of the Documentary Campus Masterschool, a programme for the development of documentary producers and directors across Europe, and an independent producer.

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Sean Coleman Screenwriter and Producer Red Kingdom Sean is a writer of film and television drama, a novelist, and an award-winning writer and producer of cross-platform drama and reality series. Audiences now demand content anywhere and everywhere, but are they willing to pay for it? Twitter Gimmick or Storytelling Magic?

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Established business and financing models are falling apart because the revenues generated by the exploitation of content on digital platforms are not generating enough pennies to substitute the analogue dollars. Mark Atkin, Head of Documentary Campus Masterschool and Director of Crossover Labs, will demonstrate that interactivity is not just an add-on to a documentary idea but is the inevitable future for all content creators.

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Real time storytelling has the potential to bring a story to life. Sean will talk about the difficulties of mixing fiction and reality, the challenge of creating a unified story world, and the funding and scream matchmaking processes involved in the project.

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Netwars — Out of CTRL is a documentary film, a web doc, a feature film and a series of graphic novels all investigating a different scream matchmaking on the current threat of cyber terrorism. But audiences went multiplatform and demand content anywhere, everywhere, and most of the time they are not willing to pay for it. A detailed scream matchmaking at a previous Documentary Campus project which is now in production: Inspiring presentations and case studies discover the challenges of creating a unified story world, teach the potential to bring a story to life by real time storytelling and gather firsthand advice from producers and storytellers who are busily working in exploring the multiplatform universe!

Interactivity, as many might consider, is not just an add-on to a documentary idea, but is the inevitable future for all content creators, according to Mark Atkin who curated the programme.

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Mark Atkin, Crossover, UK Mark Atkin, Head of Documentary Campus Masterschool and Director of Crossover Labs, will demonstrate that interactivity is not just an add-on to a documentary idea but is the familitchi dating show future for all content creators.

He began his career in writing Hitchhikers Guide to the Galaxy Online for Douglas Adams, and been making cross-platform entertainment ever since.

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